17.03–29.05.2021 Mint, ABF Stockholm, Sveavägen 41, Stockholm

Nadia Hebson – Scène d’Amour

Exhibition period: March 17–May 29
Opening March 17, 13–18

In Scène d’Amour, Nadia Hebson presents a multidisciplinary work which continues her exploration of artistic recuperation through intuitive forms. Issuing from the desire to consider alternate Painting histories in the present, over the last decade Hebson has evolved a distinct and idiosyncratic mode of working that merges the role of artist, scholar and curator to realise constellations of objects, apparel, paintings, prints and text that think through the legacies of older peers, whilst making Hebson’s own subjective expression visible. 

In Scène d’Amour the work of Swedish painter, writer, radical anarcho-eco-feminist Monica Sjöö (b.1931 Härnösand d.2005 Bristol) is presented alongside Hebson’s own. In response to the conditions of this current moment and Hebson’s own circumstance as a new mother, the exhibition, rather than offering conclusions, seeks instead to initiate dialogue around Sjöö’s expanded legacy and the intimate relationship between her painting, graphic design, activism and matriarchal scholarship as well as her role as an early exponent of the Goddess movement. Scène d’Amour is intended as both an introduction and an opportunity to pay close attention: where Hebson’s private comprehension of Sjöö’s work can form.

In parallel with the exhibition, Hebson has invited artists, art historians, curators and colleagues/friends to share in company their consideration and responses to Sjöö’s practice through public discussion and a screening. Over the course of the exhibition Hebson will realise new work and text in response to this concentrated period of exchange and contemplation, which will be installed sporadically throughout its duration. 

Nadia Hebson is a British artist and educator based in Sweden. She uses painting, objects, large scale prints, apparel and text, to explore the work and biographies of older colleagues, including: American painter Christina Ramberg, British painters Winifred Knights and Marion Adnams  and most recently, Dora Gordine as part of the Dorich House Museum Studio Residency, Kingston University, London. 

Exhibitions and commissions include Gravidty & Parity &, Hatton Gallery, Newcastle upon Tyne; one on one: on skills, The Contemporary Art Museum of Estonia, EKKM, Tallinn; I See You Man, Gallery Celine, Glasgow; Alpha Adieu, Museum of Contemporary Art Antwerp and Choreography, Arcade, London. In 2014 with AND Public she published MODA WK: Work in response to the paintings, drawings, correspondence, clothing and interior design of Winifred Knights (an expanded legacy). In 2017, with Hana Leaper she co-convened the conference, Making Women’s Art Matter, at the Paul Mellon Centre, London. Nadia Hebson teaches at the Royal Institute of Art Stockholm.

In order to provide for a safe experience of the exhibition in line with the current situation’s social recommendations, we have limited the number of visitors to eight people at a time. Our staff ensures that this is maintained and that visitors keep their distance. Please contact info@m-i-n-t.se to pre-book larger companies.

Thank you Museum Anna Nordlander and the Swedish Labour Movement’s Archives and Library

Ett samtal med Dr Sue Tate och Mariana Vodovosoff, båda del av Monica Sjöö Curatorial Collective, och Jane Jackson, regissör av Portrait (Monica Sjöö), 1977, modererat av Nadia Hebson del av utställningen Scène d’Amour.

Detta var det första av tre diskursiva evenemang som kommer att utforska den svenska målaren, författaren och radikala ekofeministen Monica Sjöös liv och arbete, samt samtida konstnärer, curatorer och konsthistorikers pågående konstnärliga rekupereringsprojekt. Hur kan vi kritiskt utforska komplexiteten i historiska personers liv och arbete samtidigt som vi undviker hagiografiska läsningar? Dessa evenemang arrangeras av Mint och är en del av Hebsons pågående forskningsprojekt Destroy She Said och realiseras med stöd från Kungliga konsthögskolan i Stockholm.
Artists Lina Bjerneld, Helena Lund Ek, Alisa Margolis, Raksha Patel and Nadia Hebson, whose practices all centre around Painting, came together on May 1 for an informal discussion to consider in company the legacy of Monica Sjöö. The conversation ranged from shared experiences of their respective art educations in Scandinavia, the US and the U.K., personal readings of Monica Sjöö’s paintings, posters and manifestos and their current reception, archiving, misrepresentation, alternative Painting herstories and reflections on the ever expanding project of artistic recuperation.

This is the second conversation in the three part programme Thinking About Monica, which accompanies the exhibition Scène d’Amour at Mint and has been realised through the support of the Royal Institute of Art Stockholm’s artistic research fund as part of the research project Destroy She Said.