The art sale is organised as part of a collective event where the organisations MDT, Höjden, Cinema Queer and Konsthall C, through fundraising, talks, workshops and film screenings, join forces to mark the International Day of Solidarity with the Palestinian People, November 29.

*Palestinagrupperna in Sweden is a solidarity organisation formed in 1976. The organisation regularly supports the aid projects that Palestinagrupperna run together with local partners in Lebanon, the West Bank and Gaza. The emergency fundraiser goes to the Palestinian groups’ partners Gaza Community Mental Health Programme (GCMHP), Palestinian Medical Relief Society (PMRS) and Youth Vision Society Gaza (YVS).

For more information: https://www.palestinagrupperna.se/akutinsamling/

Seduction, 2024
31.5 cm x 41.5cm
Greyboard cover, acetate film, digital prints on pearl photo paper, glue
Price: 12.000 SEK

Rosa Aiello is an Italian–Canadian artist, filmmaker, and writer based in Berlin. She works in a range of styles from animation to documentary collage to cinematic narrative, as well as architectural installation and photographic series. She takes an experimental approach and uses what is at hand, in her domestic space, in her relationships, on her habitually used streets. She is interested in structures; both social constructs, like the family, and the actual built world, like architecture and city infrastructure. Her works have been shown at numerous international art venues, including Fridericianum, Centre Pompidou, Kunsthalle Zurich, Pirelli Hangar Bicocca, ICA London, Anorak e.V, Kevin Space, Cittipunkt, and
SculptureCenter.

The Orchard of Resistance (Petrified Males), 2018
Afyon marble, carved by Ebru Akıncı, edition 05/50
Dimensions variable
Price: 7000 SEK

Meriç Algün, born 1983 in Istanbul and currently lives and works in Stockholm. Permeating through a variety of media, her work concentrates on issues of identity, borders, bureaucracy and language. Selected solo exhibitions include Lunds Konsthall (2024); Magasin III (2023); Spike Island, Bristol (2019); ARoS (2016); Kunstverein Freiburg (2015); Moderna Museet, Stockholm (2014); Art in General, New York (2013). She has participated in group shows such as 14th Istanbul Biennial (2015); 56th Venice Biennale (2015); 12th Cuenca Biennial (2014); 19th Biennale of Sydney (2014) and 12th Istanbul Biennial (2011). She is currently a Senior Lecturer in InterdisciplinaryPractices at Konstfack University of Arts, Crafts and Design.

Centrum, 2024
C-print in clipframe
30 x 40 cm
Price: 7000 SEK

Analog photograph of an installation consisting of a painted cardboard model with a background drawn in pastel. The model depicts a center facility from the million program that was recently demolished in Gothenburg.

Kasra Alikhani is a Stockholm based artist who was born in Iran 1987 and raised in Sweden. He studied Fine Art at HDK-Valand Academy of Art and Design in Gothenburg. Through stagings he attempts to dramatise how uniformity/conformity is maintained and what is repressed by the pretence in the theatre of the everyday. Expressions borrowed from mass culture and documentary observations are woven together in order to inject the eerie, the playful and the absurd into that which feels familiar.

Utan titel, 2024
Pine, MDF, wax, wood pulp, shellac, pigment
L64*B30*H52cm
Pris: 15.000

Theodor Ander (b. 1991, Sweden) is a Stockholm based sculptor. Graduated with a BFA (2017), and is currently completing his MFA (2025) at Konstfack, Stockholm. His practice is rooted in craftsmanship and driven by curiosity and how materials can be redefined through tender manipulation. His practice spans across sculpture, collage, relief, and drawing. Through intricate layering and manipulation, his works evoke a sense of bodily presence, lust and discomfort.

Mister Jester Cocktail, 2024
Screenprint, ink, & oil on canvas
54 x 40 cm
Price: 14 000 sek

Josefina Anjou is a Stockholm based artist, foremost a painter, whose work often bridges over onto its surrounding architecture. Either through elaborative frames in various materials such as wood, wax, metal and plastic, or in trickery and painterly effects of framing. In her work there is always a play with the flat image and where it stops being flat. The history of it, the meaning of it, the context of it. Anjou’s paintings are painted in a wide range of styles, techniques, methods and modes. Essentially her approach is explorative of the medium of image making, and is like that enabling an endless discovery for herself and the viewer.

Josefinas Anjou (b. 1993, SE) graduated with a BFA from Gerrit Rietveld Academie, Amsterdam, in 2019 and a MFA at Konstfack, Stockholm in 2024. She has exhibited in duo- and solo shows at Arti et Amicitae, Galerie Fons Welters and Bologna CC in Amsterdam, Konstnärshuset and Andy’s Gallery in Stockholm, and group shows around Europe such as , Kunstverein (Amsterdam), Intersticio (Madrid), Coulisse Gallery, (Stockholm) as well as in a vast number of artist organized group shows.

Exhibit # 13 (Blasieholmen 26 maj 2023 kl 15- 16.43 och 12 juni 2023 kl 13.40-16.07), 2024
Analogue photo (digitally processed), inkjet print on photo paper, MDF, pine, wood stain, lacquer,
glass, whiteboard pen, found object (Taxi Stockholm receipt)
45 x 23 x 9 cm
Price: 12 000 SEK

Astrid Braide Eriksson (b. 1993, Gothenburg) lives and works in Stockholm. She is educated at
Kungl. Konsthögskolan in Stockholm and Akademie det Bildenden Künste, Vienna. Her work has been shown at the Stockholm School of Economics, Tempo Documentary Film Festival and
Research Week at the Royal. Academy of Fine Arts.

Untitled (New Centuries Are Rare), 2023
Inkjet print on Baryta, edition of 5 (3 + 2 AP), frame
32 x 46 cm
Price: 10500 kr

From a series of photos presented in monochromatic light. The work depicts upscaled still images from archival footage of raves. Like the video with the same title it explores the electronic music scene of the 1990s and rave as a possible state of resistance.

coyote is a multidisciplinary artist collective founded in 2017; their practice explores the potentials of collectivity with a site-specific sensibility, where social activities evolve into new formats and modes of presentation.

Ur mytologin I (2015), Ur Mytologin II (2019), Ur Mytologin III (2021)
215 x 140 mm / 210 x 145 mm / 215 x 140 mm
Blandteknik på papper
Price 8.000 SEK (säljs tillsammans)

Andjeas Ejiksson (1978) is an artist and writer based in Stockholm, Sweden. His artistic practice explores how ideologies and imaginaries are established through cultural and political transitions, and processes of translation. Ejiksson works in editorial and textual formats as well as with performance and moving image. The work is often research based, he has been the editor of several journals, researcher at HDK-Valand in Gothenburg, the Royal Institute of Art in Stockholm, and at the Jan van Eyck Academy in Maastricht.

Goldin+Senneby
Multiple Scars (59°56’38.1”N 26°08’87.4”E), 2021
Resin
28 x 22 x 4 cm
Edition 1 of 3 + 3 AP
Price: 40.000 SEK

The sculpture series Multiple Scars was cast from marks left by historical resin tapping on pine trees and created on-site within a conservation forest in Estonia. The artwork is part of a longer exploration of immunity and autoimmunity, and the title of the work alludes to the autoimmune disease multiple sclerosis (MS). The GPS coordinates in the title of each work indicate the location of the individual tree from which the cast was made.

Goldin+Senneby is a Stockholm-based artist subject. Since 2004 their work has explored the structural correspondence between conceptual art and finance capital, drawn to its (il)logical conclusions. Recent works include a ghostwritten detective novel about an offshore company on the Bahamas (2007-2015), a magic trick for the financial markets (2016) and a proposal for an eternal employment at a train station (2026-). Currently their practice is mutating: Drawing on bodily experiences of an autoimmune disease, they are staging a fiction with an ”autoimmune tree” as the main protagonist.

Solo exhibitions include: ”Insurgency of Life”, e-flux, New York (2019); ”Standard Length of a Miracle”, Tensta konsthall, Stockholm (2016); ”M&A”, Artspace NZ, Auckland (2013); ”The Decapitation of Money”, Kadist, Paris (2010); and ”Goldin+Senneby: Headless”, The Power Plant, Toronto (2008). Their work has been included in the 11th Gwangju Biennial (2016); 13th Istanbul Biennial (2013); Manifesta 9, Genk (2012); and 28th Sao Paulo Biennial (2008). They are represented in the collections of Moderna Museet, Stockholm; Centre Pompidou, Paris; and The Museum of Modern Art, New York.

Autoimmunity, 2024
Knife handle in Olive wood, knifeblade from Mora knife
21.5 x 4 x 3 cm
Price: 30 000 SEK

Johanna Gustafsson Fürst works with sculpture and installations where the physical’s capacity for relationality is central to create shifts between the known, the unknown and the imagined. Recurrent preoccupations revolve around exercise of power, maintenance of vulnerability and responsibility, and how language can behave as physical bodies in space.

Since 2020, she works as a professor in fine art at the Royal Institute of Art in Stockholm. Selected exhibitions: Not That Cloud (Moderna Museet, Stockholm, 2017), Everything Was Forever, Until It Was No More (Riga International Biennial of Contemporary Art, 2018), Graft the Words, Whip My Tongue (Accelerator, Stockholm, 2020), Glossolalala, I Bite My Nails to Reach a Softer Surface o the World (Arter Istanbul (2024

SOLD
The Window, 2024
Piezography on drawing paper
46,5 x 35,7 cm
Edition of 12 (+3AP)

For over a decade, Tarik Kiswanson has explored notions of rootlessness, metamorphosis, and memory through his interdisciplinary practice. A legacy of displacement and transformation permeates his works and is indispensable to both their form and the modes of sensing they produce. While retaining an attachment to the intimate and personal, his work speaks to universal concerns and to social and collective histories of rupture, loss, and regeneration. Kiswanson’s oeuvre can be understood as a cosmology of related conceptual families, each exploring variations on themes like refraction, multiplication, disintegration, levitation, and polyphony through their own distinct language. 

Tarik Kiswanson was awarded the Marcel Duchamp Prize in 2023 at Centre Pompidou. His work has been the subject of several solo exhibitions at institutions, most recently at Kunsthalle Portikus (2024), Oakville Galleries (2024), Bonniers Konsthall (2023), Salzburger Kunstverein (2023), Museo Tamayo (2023), M HKA-Museum of Contemporary Art Antwerp (2022), Hallands Konstmuseum (2022) and Carré d’Art-Musée d’art contemporain (2021). 

He has participated in group exhibitions and biennials at institutions such as Centre Pompidou, Kunsthalle Münster, Gothenburg International Biennial for Contemporary Art, Lyon Biennial of Contemporary Art, The Ural Biennial, Performa Biennial, Gwangju Biennial, and MUDAM-Museum of Contemporary Art Luxembourg. Kiswanson received his MFA from École Nationale Supérieure des Beaux-Arts de Paris (2014) and BFA from Central Saint Martins-University of the Arts London (2010). He holds four nationalities and speaks and writes in five languages. He serves as advisor on the scientific committee of the Edouard Glissant Art Fund.

Untitled (12TREE), 2015
Offset print, Artist’s frame, Edition of 20 
30x40cm
Price: 25.000 SEK

Karl Holmqvist lives and works in Berlin. His work often includes writing in artist’s books, installations, video and spoken word performance. Recent one-person exhibitions include Laxart, Los Angeles, Fridericianum, Kassel, Centre d’Art Contemporaine, Geneva, Indipendenza, Rome (with Klara Liden), Kunstverein Braunschweig (with Klara Liden), Power Station, Dallas and Camden Arts Centre, London. He has participated in the Venice Biennial in 2003 and 2011 and Performa, New York in 2005, 2007, 2013 and 2023. In 2024 he’s about to take up a residency at The Schindler House in Los Angeles. Karl Holmqvist’s works can be found in the collections of Moderna Museet, Stockholm, Le Musée d’Art Moderna de la Ville de Paris, Paris, Fridericianum, Kassel and Kunstverein für die Rheinlande und Westfalen, Düsseldorf. He is represented by Galerie Neu, Berlin, dépendance, Brussels and House of Gaga, Mexico City and Los Angeles.

IT TAKES COURAGE TO NOT WORK (LA COLLECTIONNEUSE, 1967)
ARE YOU STILL A MARXIST? (MY NIGHT AT MAUD’S, 1969)
IT’S THE LAST LIGHT BEFORE SUNSET (THE GREEN RAY, 1986)
2024
Riso print on paper, (A3) Ed. 1 of 10 (+2AP), frame
42 x 29,7cm
Price: 5000 SEK each

Posters from Watching Paint Dry, a performance piece by Marie Karlberg with actor John Bullfrost, performed at ISSUES gallery in January 2024. The performance took place in the gallery surrounded by twelve works on paper with quotes from various Éric Rohmer films.

Marie Karlberg (b. 1985) lives and works in Stockholm. Marie began making art as a reaction against predetermined forms of social life. Marie is currently enrolled in the MFA programme at the Royal Institute of Art in Stockholm and started the artist run gallery Beau Travail since February 2024.!Marie has most recently performed at Art Basel Miami, hosted by MoMA PS1 as well as presenting video in the acclaimed exhibition Greater New York at MoMA PS1, New York. She has done solo shows at Tramps, New York; Bonny Poon, Paris; Plymouth Rock, Zurich; Tramps, London and Reena Spaulings Fine Arts, New York. She has staged performances at Elevation1049, Gstaad; Palais de Tokyo, Paris; Künstlerhaus Halle für Kunst & Medien, Graz and Artists Space, New York. Marie has participated in group shows and ensemble performances at various galleries and institutions such as The Goethe Institute, New York; Whitney Museum of Art, New York; MoMA, New York; The 9th Berlin Biennale, Berlin and Schinkel Pavillon, Berlin. Her work is included in public collections such as The Schaulager Foundation, Münchenstein; Musée d’Art Moderne de la Ville de Paris, Paris and Moderna Museet, Stockholm.

Naken på hösten, 2019
Papier maché, plaster, organza, acrylic paint. Mounted on aluminium.
87x49cm
Price: 16.000 SEK

Liv Melin (f. 1995) is based in Stockholm and works with installation, painting and sculpture with a close regard to narrative, image, subjective perspective and materiality.

Melin holds a BFA (2019) from Oslo Academy of the Arts and is currently completing an MFA at Konstfack. Presentations include the solo exhibitions Sky High Rides (Galleri Golsa 2018), Liten Stöld… (Vällingby C 2022) and Clara Locus (Strändernas Svall 2024) and the collaborative projects Walk wicked (Kunstplass Oslo, 2019) Tick tock, well come! calls clock (Painting Practice 2022), På något sätt avlägsnat huvud (Studio Ardoise 2024).

A Paper Pusher’s Wet Dream, 2024
B/W analog photograph 10cm x 15 cm
Frame: 20cm x 25cm
Price: 5000 SEK

Luzie Meyer (*1990 in Tübingen) is a Berlin-based interdisciplinary artist, poet and translator. She studied philosophy at the Goethe-University and fine arts at the HfBK Städelschule in Frankfurt am Main. Based on a cross-genre writing practice, Meyer produces videos, sound works, photographic installations, and performative readings to combine conceptual and improvisational approaches. Meyer’s artistic works have previously been exhibited widely; most recently at the Hochschule für Angewandte Künste, Vienna (2024); Frac Lorraine, Metz (2024); Badischer Kunstverein, Karlsruhe (2024); on c0da.org (2024); Sentiment, Zürich (2023); Kunsthalle Bremerhaven (2022); Istituto Svizzero Rome (2022); Galerie Sweetwater, Berlin (2022); at MINT in Stockholm SWE (2022); Kölnischer Kunstverein (2022). From 2019 – 2021 Luzie Meyer taught at the Kunsthochschule Weißensee as part of a DiGiTal pre-doctoral fellowship. Her poetry and critical writings were published in magazines such as Texte zur Kunst, Conceptual Fine Arts, Spike, Edit #84/85 and Starship #17. Meyer was also co-editor of the anthology “Sibyl’s Mouths – A Pure Fiction Publication,” published by Sternberg Press in January 2023.

New script/ Placeholders 1-2, 2024
Pencil and coloured pencil on acid-free 240g drawing paper
29,7×42 cm
Price: 7500 SEK each (14.000 SEK for both)

Iris Smeds’ work centres on the marketability of the individual and examines our existence and society from a poetic and performative perspective. With a background in theatre, her projects often blur the boundaries between installation, performance and moving image, with theatrical and surrealist imagery. Since 2013 she runs the one-woman punk band Vaska Fimpen.

2 Americans, 2010
Letterpress on paper (unframed), edition 4 of 5
39 x 31 cm
Price: 15 000 SEK

The barely visible “blind-stamped” text is lifted from a New York Times article on the June 1, 2009 crash of Air France flight 447, an international passenger flight from Rio de Janeiro, Brazil, to Paris, France. Starting with “2 Americans”, ending with “2 Swedes and a Turk”, the alphabetized list of passenger nationalities is a temporary stand-in for a permanent loss. The list, and others like it, begins a curious process of personal and political identification that occurs in relation to nationality.

Lisa Tan traces the contours of life as it is shaped by desire and determined by the contingent encounters that form it. Her work takes the form of installation, photography, video, and writing, among other gestures. In 2023-24, she presented a solo exhibition, Dodge and/or Burn at Accelerator in Stockholm. For more, see lisatan.net

Sylvia Pankhurst Protesting, 2024
Pencil on paper
21 x 29.7cm
Price: 14 000 SEK

Olivia Plender is an artist based in Stockholm and London. Her work is often based on social history, and frequently explores the relationships between gender, power and authority. Plender’s artwork is in museum collections including: Tate Museums, Arts Council England, UK; Statens konstråd, Malmö Konstmuseum, Sweden. In 2024 she co-curated the exhibition Chronos: Health, Access and Intimacy, at Tensta Konsthall, Stockholm. She exhibits internationally, including recent solo shows at Kalmar konstmuseum, Sweden (2023); Maureen Paley, London (2022); Amant Foundation, New York (2022). Group shows include: You Belong Here, Southbank Centre, London (2024); Spring Never Comes Again, Zachęta – National Gallery of Art, Warsaw (2023); The School of Creators: The Art of Learning from the 1960s to the present, Centre Pompidou-Metz, France (2022); 34th Bienal de São Paulo (2021); Life Support, Glasgow Women’s Library, UK (2021); Not Without My Ghosts, Hayward Gallery Touring exhibition, UK, (2021-2022); Göteborg International Biennial (2017); BAHAR, Off-Site Project for Sharjah Biennial 13, Istanbul (2017); Taipei Biennial (2010); Manifesta 8, Murcea (2010); Altermodern: Tate Triennial, Tate Britain, London (2009); The Greenroom, Hessel Museum of Art, CCS Bard, New York (2008); Romantic Detachment, MoMA PS1, New York (2004).